HELLO

I am Emil, a motion and graphic designer based in Graz, Austria.

about

WHO AM I?

Emil Masser

Motion Designer

Motion. Aesthetics. Fun.

I was born in Vienna and moved to Graz in 2021. There's some stuff I just love doing: making things move and telling stories using animation and aesthetics. Nowadays I mainly focus on motion graphics and branding in general. When I'm not doing that, there's a good chance you can catch me either making music or drinking coffee, probably both at the same time.

Besides technical know-how, I see team spirit, people skills and fast work as my core strengths. You can take a look at my CV below to see what else I was up to recently.

News

Latest News

  • Just because we can't get out and about like we normally would, doesn’t mean we have to stop taking pictures. There’s still plenty you can do, provided you're prepared to use some imagination. Here are a few ideas to keep you shooting until normal life resumes.

    Most photographers love to shoot the unusual, and you don’t get much more unusual than These Unprecedented Times. Right now everything counts as out of the ordinary. There are a number of remarkable things about these lockdown days that are worth photographing now so we can remember them when it is all over.

    Most photographers find it hard to see interesting pictures in places in which they are most familiar. A trip somewhere new seems always exactly what our photography needed, as shooting away from home consistently inspires us to new artistic heights.

    Streets empty that are usually busy are remarkable and can evoke the sense of historical pictures from before the invention of the motorcar. Other things that are different at the moment will be queues to get into stores and the lines marked out on the floor to show how far apart we should be.

    Pretend everything is new and that you haven’t seen it before, and then you will be free to notice the leading lines, the places where one edge meets another in delightful geometric harmony, and how the ordinary things in the kitchen are transformed when the light is on or off.

    The trick here is to look slowly, and then look again. Take the time to look in detail and to look at the same thing from different angles, with different light, long lenses and wide lenses. Then move to the left a bit. You may never feel the need to leave the house again.

  • Just because we can't get out and about like we normally would, doesn’t mean we have to stop taking pictures. There’s still plenty you can do, provided you're prepared to use some imagination. Here are a few ideas to keep you shooting until normal life resumes.

    Most photographers love to shoot the unusual, and you don’t get much more unusual than These Unprecedented Times. Right now everything counts as out of the ordinary. There are a number of remarkable things about these lockdown days that are worth photographing now so we can remember them when it is all over.

    Most photographers find it hard to see interesting pictures in places in which they are most familiar. A trip somewhere new seems always exactly what our photography needed, as shooting away from home consistently inspires us to new artistic heights.

    Streets empty that are usually busy are remarkable and can evoke the sense of historical pictures from before the invention of the motorcar. Other things that are different at the moment will be queues to get into stores and the lines marked out on the floor to show how far apart we should be.

    Pretend everything is new and that you haven’t seen it before, and then you will be free to notice the leading lines, the places where one edge meets another in delightful geometric harmony, and how the ordinary things in the kitchen are transformed when the light is on or off.

    The trick here is to look slowly, and then look again. Take the time to look in detail and to look at the same thing from different angles, with different light, long lenses and wide lenses. Then move to the left a bit. You may never feel the need to leave the house again.

  • Just because we can't get out and about like we normally would, doesn’t mean we have to stop taking pictures. There’s still plenty you can do, provided you're prepared to use some imagination. Here are a few ideas to keep you shooting until normal life resumes.

    Most photographers love to shoot the unusual, and you don’t get much more unusual than These Unprecedented Times. Right now everything counts as out of the ordinary. There are a number of remarkable things about these lockdown days that are worth photographing now so we can remember them when it is all over.

    Most photographers find it hard to see interesting pictures in places in which they are most familiar. A trip somewhere new seems always exactly what our photography needed, as shooting away from home consistently inspires us to new artistic heights.

    Streets empty that are usually busy are remarkable and can evoke the sense of historical pictures from before the invention of the motorcar. Other things that are different at the moment will be queues to get into stores and the lines marked out on the floor to show how far apart we should be.

    Pretend everything is new and that you haven’t seen it before, and then you will be free to notice the leading lines, the places where one edge meets another in delightful geometric harmony, and how the ordinary things in the kitchen are transformed when the light is on or off.

    The trick here is to look slowly, and then look again. Take the time to look in detail and to look at the same thing from different angles, with different light, long lenses and wide lenses. Then move to the left a bit. You may never feel the need to leave the house again.

  • Just because we can't get out and about like we normally would, doesn’t mean we have to stop taking pictures. There’s still plenty you can do, provided you're prepared to use some imagination. Here are a few ideas to keep you shooting until normal life resumes.

    Most photographers love to shoot the unusual, and you don’t get much more unusual than These Unprecedented Times. Right now everything counts as out of the ordinary. There are a number of remarkable things about these lockdown days that are worth photographing now so we can remember them when it is all over.

    Most photographers find it hard to see interesting pictures in places in which they are most familiar. A trip somewhere new seems always exactly what our photography needed, as shooting away from home consistently inspires us to new artistic heights.

    Streets empty that are usually busy are remarkable and can evoke the sense of historical pictures from before the invention of the motorcar. Other things that are different at the moment will be queues to get into stores and the lines marked out on the floor to show how far apart we should be.

    Pretend everything is new and that you haven’t seen it before, and then you will be free to notice the leading lines, the places where one edge meets another in delightful geometric harmony, and how the ordinary things in the kitchen are transformed when the light is on or off.

    The trick here is to look slowly, and then look again. Take the time to look in detail and to look at the same thing from different angles, with different light, long lenses and wide lenses. Then move to the left a bit. You may never feel the need to leave the house again.

contact

LET'S DO SOMETHING!

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side eye - honest and playful identities


About the project
"side eye" is a startup project by Franziska Gallé, Viktoria Ramsauer, Lorena Rösener, Rahel Schuiki, Luzia Steiner and myself.

side eye stands for a critical glance, a viewpoint of a new generation with the motto "to see and be seen." 👀 side eye is here to inspire, ask questions, play with conventions and norms, and break them. side eye is curious and brave, young yet timeless, living in the present and future. side eye wants to change things while having fun. Seriousness when needed. The offer is original, trendy, yet lasting solutions in a world of change and transformation.

Economic and entrepreneurial development
The University of Applied Sciences Joanneum in Graz cooperates with side eye in the field of economic and entrepreneurial development. All six founding members study at the FH and are continuously supervised by lecturers. This helps to create and maintain a stable business base. FH Joanneum benefits from the positive marketing effect as well as from a possible economic profit.

Notable customer projects include Lendwirbel and KPÖ. Click the link below for a short promo animation. >PROMO

Happy Lamp - a personal project


About the project
A personal project revolving around a smiling lamp face, entering the screen and lighting it up.
Playing with 2D shapes and newly acquired techniques. This is a remake of one of my first animations from many years ago, rekindling the idea from back then.

What I learned
The project is documenting my personal growth. It shows that a great idea can be implemented in many, not necessarily better, but different ways. >WATCH

Lendwirbel - animations for social media content


About the project
A personal project revolving around a smiling lamp face, entering the screen and lighting it up.
Playing with 2D shapes and newly acquired techniques. This is a remake of one of my first animations from many years ago, rekindling the idea from back then.

Workflow
After some discussion with the team we decided to make animations for the aftermovie of the project. We turned out creating both and intro and an outro for the movie. A colleague drew icons, while I was animating.

The project looks 2D, but has an interesting twist to it, the hat's movement actually takes place in a three dimensional space. The logo was recreated using blender and then animated. Later the composition was edited in After Effects to achieve the desired look.
This process helps to create a shaded look resulting in an interesting piece of eye-candy.
Quick note: the confetti was also originally created in blender. >WATCH

Drinking plant milk - a cow's journey.


About the project
Short animation depicting the cow's side of our milk industry and how drinking plant-based milk can actually make a difference.

Workflow
Cut-Out aesthetics and mixed media animation are two buzz words somebody could use to describe the project’s style. For this composition, my only tool was Adobe After Effects, which was used for cutting out shapes from images and preparing them to be paper-lookalikes. >WATCH

KPÖ - wohnpetition.at


About the project
"Living should not make you poor!" is the motto for a campaign by KPÖ Steiermark. Rising housing costs are presenting more and more people with existential problems. While a new tenancy law and lower rent ceilings are urgently needed at the federal level, the Styrian government has yet to take measures to combat the high cost of housing.

Workflow
After a few sessions with representatives of KPÖ we sat down to set up the basics, The team drew a storyboard and made an animatic. As we developed the concept and script, we started working on voice recordings.

Lots of script overhauls, a lot of screentime and some feedback loops later, our work resulted in a short used for KPÖ's next election campaign.
I was working in After Effects, assets where made by my colleagues Franziska Gallé and Rahel Schuiki. Sound by Luzia Steiner. >WATCH

Chay Dream


About the project
Chay Dream is the concept of an organic cherry soft drink. Idea by Rahel Schuiki (who made the label) and myself.

Workflow
I used this project to expand my knowledge on 3D scenes in Blender. Biome-Reader, a plugin for creating plant environments, enabling me to focus on the scene itself as well as the materials and lighting used to portray it the way it turned out. >WATCH

C-ROD


About the project
C-ROD is the concept of a Tamagotchi clone - instead of taking care of a Tamagotchi, a carrot pet is asking for your attention.

Workflow
I have always wanted to work with pixel art before - but instead of painting pixel by pixel, frame by frame, I decided to fake the effect. Sadly most modern mosaic filters are really bad at stuff like that, so shading a 3D model the right way was the best answer to it. Blender allows you to do that using its node system. After fiddling around with that for a while, I added a black outline and rendered it in the resolution of 400x300, just to scale it up again later in After Effects. >WATCH

What is AI?


About the project
This video was created in a course called "Research & Knowledge". AI just came to people's attention, so we wrote a paper about it and created an explainer video on how far technology has come.

Here's the abstract for it:
Artificial Intelligence has long made its way out of dystopian science fiction movies and into reality. It has found use in many different aspects of our daily lives and influences not only consumer habits but also our perception of reality, whether we notice it or not. The first part of this paper aims to explain foundational functionalities of AI and lay out some of its fields of use, as well as the risks it brings, focusing especially on the topic of deepfakes. The second part of the paper aims to analyze how easy it is to fool people using AI tools. To achieve this, people of different age groups were confronted with both real and AI generated images. Using an observation grid, it was determined how and if the participants could correctly identify AI generated content. Furthermore, a qualitative survey was carried out to learn which fears people might have in relation to AI.

Workflow
The voice in the video as well as the first half of the script is entirely made using artificial intelligence. For a proper look, we drew assets and animated them using rigs and automating the beard so it always syncs up with the AI's voice.

All in all, we learned a lot, especially that tools powered by artificial intelligence should rather be seen as little helpers than enemies or disturbances. >WATCH